“Our body also becomes other for others: each one is born a capitalised object, someone’s image; everyone is born another, radically another. We were born to be, first and foremost, that thing outside of ordinary commerce and which, before being named and trying to live its own part of the subject, begins by being the full and whole part of the others, these privileged others, the parents – literally the breeders -, faced with the unknown object of their desire, with the unattainable of a transmission ”.
Pierre Legendre in L’Inestimable objet de la transmission
Starting from the representation of the father figure as a central element of western art and domesticity as a dock, in Profil Perdu, a play by Marco Martins, the two protagonists go through the lives of several characters, other selves, creating unexpected relationships and crossings – they have no age nor gender or defined body, they transmute with one another, creating fleeting and fragmented worlds.
In history of art jargon, Profil Perdu alludes to a ¾ profile portrait, where the face is not seen but is summoned, in which attention is focused on, although not explicit, what is shown as fundamental. So it seems to happen many times within the family, a stronghold of the most ancestral and problematic that is in us, where the (un)balance between the individual and the collective, between personal interest and the common good is played at high stakes.
When he summons an improvisation work based on the flow of personal memories by Beatriz Batarda and Romeu Runa, Marco Martins creates a show in which the various excerpts of texts used – which constitute their dramaturgical matrix – are simultaneously a reconstruction, more or less true or false of the biography of their interpreters, of what was lived or perhaps fantasised, and also of direct testimonies of other authors – such as Kafka, Bacon, Sophocles, Siri Hustvedt, Peter Kubelka or Édouard Louis – on their relations with parental authority.
Developed over a year of residencies, Profil Perdu is a work in constant change, which now continues its life and transformation.
director Marco Martins
from texts by Francis Bacon, Julian Barnes, Sophie Calle, Siri Hustvedt, Franz Kafka, Édouard Louis, Peter Kubelka, Sylvia Plath, Richard Tuttle, Sófocles, William Shakespeare, George Steiner, Manuel Vilas e Slavoj Zizek
cast Beatriz Batarda, Romeu Runa
sonoplasty Tiago Cerqueira
set designer Fernando Ribeiro
light designer Nuno Meira
assistant light designer Ricardo Campos
sound designer Sérgio Milhano
assistant sound designer Tomé Silva
costume designer Teresa Pavão
director’s assistant Rita Quelhas
magic consultant Hélder Guimarães
tap dance consultant Marinela Mangueira
rehearsal support Hugo Cabral Mendes, Rui Catalão, Vânia Rovisco, Victor Hugo Pontes
Arena Ensemble’s managing director Marta Delgado Martins
production assistant Margarida Silva
production director Mariana Brandão
rating 14+
duration 1h 30
preview 28th November 2019, Istanbul International Theater Festival
co-production S. Luiz Teatro Municipal, Teatro Nacional S. João, Centro Cultural Vila Flor, Cine-Teatro Louletano
with the financial support República Portuguesa - Ministério da Cultura / Direcção- Geral das Artes
artistic Residencies dVIR/CAPa, Cine-Teatro Louletano, CENTQUATRE, PARIS, O Espaço do Tempo
support Artworks
acknowledgments Ministério dos Filmes, Pro.Dança, Alliance Française Lisbonne, Pensão Favorita Porto, Adriano Filipe Silva, Leonor Sassetti Paes
FECHAR